MISS WHITE’S STORY
The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.
He listened without interruption as the story unfolded itself.
Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.
It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.
Brygada 1918 is a digital revival project of Brygada typeface done thanks to the support of the “Independent” program and the President of the Republic of Poland. The source of inspiration lies in casting matrices found by Janusz Paweł Tryzno In the Book Art Museum in Lodz. Extended Btygada 1918 family including 6 versions is available for download under Open Font License. We hope that through its use the Brygada 1918 project will benefit the building common conscience of type design – a domain of significant, culture building character.
According to the historical research the typeface was most probably created during the interwar period, in the Type Foundry Idźkowski and Co. in Warsaw. The main idea of this undertaking was to honor the typographic heritage in a vivid manner. Original matrices were available in regular, italic, and bold versions. To allow the practical application of the font in a larger versatility of projects the collection gained semibold, semibold italic and bold italic variants. Apart from redrawing, the shapes were adjusted and corrected, and the available glyph coverage was greatly expanded. Regarding the character set, Brygada 1918 type family contains extended Latin, extended Cyrillic, basic Greek, International Phonetic Alphabet, 4 figuer versions (oldstyle, lining, tabular oldstyle, tabular lining), small caps, sub- and superscript, currency symbols, mathematical signs, and a wide set of ornaments, in all 6 versions.
Designers: Mateusz Machalski, Borys Kosmynka, Przemysław Hoffer, Ania Wieluńska