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Geller
A quick brown fox jumps over the lazy dog.
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Sweet Pomelo
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Geller-TextLight
Geller-TextLightItalic
Geller-TextRegular
Geller-TextRegularItalic
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Geller-HeadlineLight
Geller-HeadlineLightItalic
Geller-HeadlineRegular
Geller-HeadlineRegularItalic
Geller-HeadlineMedium
Geller-HeadlineMediumItalic
Geller-HeadlineSemiBold
Geller-HeadlineSemiBoldItalic
Geller-HeadlineBold
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Geller-HeadlineBlackItalic
Geller-HeadlineBlack
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MISS WHITE’S STORY

The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.

He listened without interruption as the story unfolded itself.

Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.

It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.

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About

A tru­ly faith­ful ally for every de­sign­er look­ing for fresh yet fa­mil­iar and re­li­able font choice.

Geller was cre­at­ed as a part of grad­u­a­tion project in Ty­powa Pra­cow­n­ia at Acad­e­my of Fine Arts in War­saw. It is a type­face fam­i­ly in­tend­ed for news­pa­per, ed­i­to­r­i­al us­age. At this mo­ment we hand you head­line op­ti­cal size. Text op­ti­cal size is cur­rent­ly in de­vel­op­ment process and will be re­leased as soon as pos­si­ble.

Dur­ing de­sign process the tech­ni­cal needs of cer­tain ty­po­graph­ic frac­tions were ex­am­ined.

The cap­i­tal let­ters were de­signed with cer­tain pur­pose: it's mod­ern pro­por­tions (de­rived from Di­done fonts) with op­ti­mised in­ner lights as well as short as­cen­ders and de­scen­ders work very well with­in ti­tles and leads. Ex­cept of wide range of open­type fea­tures, Geller con­tains bul­lets & ding­bats pro­vid­ing many pos­si­bil­i­ties in in­tro­duc­tion of en­try points in ed­i­to­r­i­al de­sign. Com­pact di­a­crit­ics, pro­por­tion­al­ly tall x-height, nar­row let­ter con­struc­tion – all this de­signed fea­tures make type­set­ting of nar­row text columns and spreads eco­nom­i­cal.

Lud­ka Biniek

+48 696 022 141
nie­lud­ka@gmail.com