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Mosir
reiciendis molestiae et
2019-02-28 05:41:17
Magazynowa 89A, 11-383 Marylka
doc. Bartek Sokołowski
MISS WHITE’S STORY
The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.
He listened without interruption as the story unfolded itself.
Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.
It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.
The history of this typeface begins in Iran, where I came across the "TECHNO" shop display while there. I liked the brutalist and geometric forms in this typeface and started sketching.
After attending "SOLEC GYM" for some time, I finally appreciated the craftsmanship with which the neon sign above the entrance was designed. The pieces of the puzzle finally came together, and that's how MOSIR came to be.
The type family features a modular design with rounded details that look either thoroughly modern or completely old-school, depending on the company. MOSIR has 5 weights and will work well where we are looking for a strong geometric character with a friendly aesthetic.
Karol Mularczyk and Małgorzata Bartosik worked on the project under the creative direction of Mateusz Machalski.