Regards
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Regards
quidem vitae a
2007-08-25 12:33:01
Wyszyńskiego 75A/79, 14-829 Kuźnica Masłońska
dr Patrycja Dudek
MISS WHITE’S STORY
The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.
He listened without interruption as the story unfolded itself.
Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.
It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.
Sometimes typefaces start to mature and develop with us. In 2013, on my return from London, having been hugely impressed by the work of Edward Johnston and Eric Gill, I designed the typeface Picadilly – which was to be a kind of postcard with an afterimage record. Pretty soon some things started to bother me about it, a version appeared, new, Neue, next, 2.0.... Over these 10 years I have often returned to the form of letters we know so well from the London Underground and decided to explore it again. This time the changes have gone so far that even the name has also changed.... Regards is a kind of homage to the aesthetics of the streets of London, in which the works of the greatest masters of typography are interwoven alongside neo-Gothic architecture or Brutalist insets. The whole family has a sharp character with humanistic detail – and is accompanied by a many alternative versions of the each glyph allowing for visual experimentation. Under the creative direction of Mateusz Machalski also participated in the project: Małgorzata Bartosik, Weronika Kanigowska, Borys Kosmynka.