Impacto

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Impacto
nihil beatae id
1972-12-27 08:24:25
705 Deondre Mountains North Joanabury, ID 31717-3917
Lukas Orn
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MISS WHITE’S STORY

The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.

He listened without interruption as the story unfolded itself.

Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.

It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.

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About

Octagonica is a modern typeface inspired by the geometry and aesthetics of 20th century sports posters. It was created for designers looking for a form that is dynamic, compact and expressive – ideal for use in corporate identity, information systems and posters. The design of the letters is based on a rigorous grid, where rhythmic modules dominate. The letters have something of the numbers on jerseys, stadium signs, but also historical affishes advertising sporting events. Thanks to variable font technology, the user can seamlessly control the thickness, width and expression of the letters. From the precise, technical hairline condensed version to the heavy and monumental black expanded, the typeface adapts to the needs of the project. This flexibility makes it not only an aesthetic choice, but also a practical tool. Octagonica combines structure and energy. It is a typeface that speaks loudly but precisely. Created to convey emotion, to act in motion and to have an impact on a large scale – in both physical and digital spaces.

Mateusz Machalski

Co-founder Type Designer
Branding Expert

+48 666 356 584
mateusz@capitalics.wtf