Gaultier
Click the line to edit text

Write something...

Gaultier

Claude Garamond

Wolfgang Amadeus Mozart

PICADILLY CIRCUS

Leonardo Da Vinci

Theory of Questions

William Shakespeare

1383-1492 New World Order

Szczebrzeszyńskie

 

Download Test Fonts

Test fonts are available exclusively to registered users. If you have an account, log in to download them. If not, sign up to gain access.

 

 

MISS WHITE’S STORY

The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.

He listened without interruption as the story unfolded itself.

Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.

It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.

 

odmiany
Thin
Thin Italic
ExtraLight
ExtraLight Italic
UltraLight
UltraLight Italic
Light
Light Italic
Regular
Regular Italic
Medium
Medium Italic
SemiBold
SemiBold Italic
Bold
Bold Italic
Black
Black Italic
Heavy
Heavy Italic
About

Gaultier jest efektem ponad 5 lat pracy nad krojem pisma inspirowanym moimi ulubionymi twórcami w Europejskiej typografii – Claude Garamondem, Robertem Granjonem oraz Ericiem Gillem.

Założeniem projektu było stworzenie bezszeryfowej antykwy ze wszystkimi dodatkami zarezerwowanymi do tej pory dla krojów szeryfowych. Neuropa oprócz bogatego zestawu znaków zawiera: SmallCapsy, Superscript, Subscript, Ligatury, Ligatury ozdobne, kontekstualne znaki alternatywne, warianty swashowe oraz 5 sposobów wyświetlania cyfr. Upright w formie bezszeryfowej antykwy o delikatnym kontraście koresponduje z ekspresyjną formą kursywy inspirowaną szkieletem Granjona.

Gaultier znajdzie zastosowanie wszędzie tam gdzie chcemy podkreślić nowoczesność nie zapominając o tradycji. Ostry character całej rodziny świetnie się sprawdzi zarówno w identyfikacjach wizualnych firm jak i składzie dłuższych tekstów.

Mateusz Machalski

Co-founder Type Designer
Branding Expert

+48 666 356 584
mateusz@capitalics.wtf