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Mercato
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MISS WHITE’S STORY
The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.
He listened without interruption as the story unfolded itself.
Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.
It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.
MERCATO to nagłówkowa rodzina krojów pisma, która inspirowana jest ręcznie malowanymi cenówkami.
Pomysł na tę rodzinę narodził się kilka lat temu w Ameryce południowej. Zależało mi na stworzeniu kroju, który z jednej strony jest pisany, ekspresyjny i organiczny a z drugiej wrzucony w geometryczne ramy. W 2021 roku w starym specimenie tafiłem na piękną grubą pisankę nazwaną Chrysler, która stała się wyjściową bazą do projektu.
W MERCATO sporo jest nieregularności, dukt pisma żywo rezonuje – jednak pomimo tego całość stworzona jest zgodnie z kreślarskimi zasadami dzięki czemu całość w pełni się interpoluje.
Prace nad MERCATO trwały około 3 lat – dzięki czemu jest dopracowany w najdrobniejszych szczegółach i eksploruje to co pomiędzy brush scriptami a klasycznymi wykreślonymi geometrycznymi krojami. Cała rodzina znajdzie zastosowanie wszędzie tam gdzie potrzebujemy dynamicznych i ciepłych form – sprawdzi się w logach, plakatach oraz nagłówkach.
MERCATO dostępne jest jako klasyczna rodzina 5 odmian oraz w formie variable font.