Regards

Regards

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Regards

quidem vitae a

2007-08-25 12:33:01

Wyszyńskiego 75A/79, 14-829 Kuźnica Masłońska

dr Patrycja Dudek

 

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MISS WHITE’S STORY

The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.

He listened without interruption as the story unfolded itself.

Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.

It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.

 

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About

Czasami kroje pisma zaczynają dojrzewać i rozwijać się razem z nami. W 2013 po powrocie z Londynu będąc pod olbrzymim wrażeniem prac Edwarda Johnstona oraz Erica Gilla zaprojektowałem krój pisma Picadilly – który miałbyć rodzajem pocztówki z zapisem powidoków. Dosyć szybko pewne rzeczy zaczęły mi w nim przeszkadzać, pojawiła się wersja, new, Neue, next, 2.0... Przez te 10 lat często wracałem do formy liter, które tak dobrze znamy z londyńskiego metra i postanowiłem ponownie się zmierzyć z tym tematem. Tym razem zmiany poszły tak daleko, że zmieniła się również nazwa... Regards do rodzaj hołdu dla estetyki ulic Londynu, w których przeplatają się dzieła największych mistrzów typografii obok neogotyckiej architektury czy brutalistycznych wstawek. Cała rodzina ma ostry charakter z humanistycznym detalem – a całości towarzyszy bardzo dużo alternatywnych wersji znaków pozwalających na wizualne eksperymenty. Pod dyrekcją kreatywną Mateusza Machalskiego w projekcie brali również udział: Małgorzata Bartosik, Weronika Kanigowska oraz Borys Kosmynka.

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