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Mathieu
Jean-Baptiste Greuze
vignoble de Champagne
ROYAUME DES FRANCS
Jacques-Yves Cousteau
La prise de la Bastille
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Mathieu
iusto quo consectetur
1987-08-18 13:28:11
Podhalańska 94A/85, 88-296 Kamienica Królewska
Łukasz Wiśniewski
MISS WHITE’S STORY
The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.
He listened without interruption as the story unfolded itself.
Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.
It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.
Bardzo lubię momenty, kiedy klasyka spotyka się z nowoczesnością. Przy Mathieu z jednej strony inspirowałem się proporcjami, teksturą i elegancją renesansowych krojów, a z drugiej pracami niderlandzkich typografów, w których zawsze ceniłem balans pomiędzy warsztatem a eksperymentem. Mathieu posiada cechy kroju bezszeryfowego jednak czuć w nim delikatne nuty kaligrafii poprzez humanistyczne detale. Całość posiada kilka odmian szerokości dopełnionych delikatnie pochyloną ale ekspresyjną kursywą – dzięki czemu sprawdzi się zarówno w dłuższych tekstach jak i użyciu w identyfikacjach wizualnych. Przy projekcie kierowanym kreatywnie przez Mateusza Machalskiego pracowali: Karol mularczyk oraz Małgorzata Bartosik.