MISS WHITE’S STORY
The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.
He listened without interruption as the story unfolded itself.
Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.
It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.
Chaconne is a serif typeface with an organic character. Like the Baroque dance chaconne, where a recurring theme becomes the framework for endless variations. Chacone is built on a repeating rhythm and a richness of subtle variations. Its foundation grows out of a reinterpretation of classic typefaces: Excelsior and the warm, Renaissance-inspired Goudy Old Style. It was created without grids or modules, for me, it was a great challenge to trust the eye and work in the spirit of the old masters. This gives the entire family its softness and organic flow. Chacone combines the rhythm of form with the delicacy of detail, while also allowing room for moments of expression. Chaconne is blur, mass, and subtle – a kind of typographic suite that invites a calm and sensitive reading. As in music, where the steady bass of a chaconne gives rise to endless variations, here classical inspirations lead to the creation of a harmonious, personal typographic story. The family consists of five weights complemented by an organic italic. The project was creatively directed by Mateusz Machalski, with contributions from Karol Mularczyk, Weronika Kanigowska, Jakub Maślak, Małgorzata Bartosik and Borys Kosmynka